In Memory Of |
Kenny Parker |
( Kenneth Lamar Parker 1943-1992 ) |
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And - as Kenny Put In The 1961 Class Annual .... |
Click On Images Below For Larger Images |
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Kenny played several musical instruments while in high
school: piano and organ at a Methodist Church in East Ridge; trombone in
the band and swing band; baritone horn in concert band.
After high school Kenny traveled with several bands
including the Billy Butterfield Band. In 1963 he opened a music store on
Ringgold Road near the intersection with Spring Creek Road. He started
out with one small space but quickly rented the adjacent space as
business grew and then had room for more pianos, sheet music and a room
to teach piano lessons. Jimmy
Shuptrine (class of 1960 I recall) was a good friend of Kenny's and came
to visit Kenny's store with the UT group he was in called "The Cumberland
Trio" (they appeared on the popular folk TV show Hootenanny 2 or 3
times). They won the Jacksonville folk festival two years (1962-3 I recall) and
signed with Chet Atkins in Nashville to cut an album. They cut the album with either
RCA, or a spin-off that Chet set up, that was to be released in
September 1964 - but - the Beatles landed in New York in June and folk
music went by the wayside. The album never got released until Jerre
Haskew found the cut in Nashville and released it in 2001. Search under
Cumberland Trio on YouTube - good stuff. Website
and Listen |
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Elmer Cole was 3rd member of the first Kenny Parker Trio |
Ted Garret sings 10 Thousand Years on You Tube HERE |
The trio produced 6-8 albums. They are hard to find now. Every once-in-a-while there will be one on eBay. Other Known Album Titles Include: Afterglow A First From The Kenny Parker Trio Reach Out and Touch Him |
Title Song From "Jesus More Precious Than Ever" |
Kenny wrote many songs. BMI 1. COME OVER TO CANAANLAND 232003 |
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What others said about Kenny - From Current Blogs On The Internet |
Nina wrote: Hey CVH! I happen to like the Kenny Parker Trio. "Ten Thousand Years" is one of my favorite SG songs. While I have no idea if Provident/Zondervan/Zomba/BMG/Universal destroyed masters, I do know they must have had original masters for Greater Vision to do the "Quartets" recording. Unfortunately, I wouldn’t be surprised if they did lose or destroy them. The left hand never knows what the right is doing in most of those "bigger" companies. There is a guy named Cory Ridenour (forgive the spelling) at Provident who controls leasing. Maybe he could shed some light on our discussion. P.S. I love Peggy Parker! Posted 17 Oct 2008 at 7:48 pm CVH wrote: Hey Nina! I love some of Kenny Parker’s songs too. I was just trying to draw a comparison between a master for, say, "Performance" by the Oaks or some of the old Imperials HeartWarming masters vs. other groups Benson put out that didn’t sell as big. No harm intended! . I was called to fill in for the Rambos. Buck had become ill, at the time, and couldn’t travel for a while. Dottie was staying with him in Nashville. They had dates to fill so Reba, Kenny Parker and myself filled those dates. One of those dates was in Harrisburg, PA. It was one of the biggest gospel singings in the country at the time. The Stamps Quartet was there and heard me sing on that concert. Actually Rusty Goodman, whom I had known for quite a while prior to that, had J.D. to listen to me sing. The tenor for the Stamps, at that time, was leaving and J.D. was going to need a tenor. It wasn’t long before I got a call from Kenny Parker that the Stamps had called him and asked him to get in touch with me about whether I wanted to audition for them or not. Well I certainly did. Bill Baize . My point being here in this article that, if Dottie, Buck, Reba and Kenny Parker had not had the faith in me that I could do the job helping them, then I would probably never had the opportunity to sing with "J.D. Sumner and The Stamps Quartet". Also, if Rusty Goodman had not believed in me, he would never have told J.D. to listen to me. I don’t want to be remiss here, at that time Kenny Hicks was playing bass for "The Rambos" so he was also with us on the dates that I have written about. Dottie Rambo, Kenny Parker and Kenny Hicks, Rusty Goodman, and J.D. Sumner have all gone on to be with the Lord. I miss all of them. Thank you God for allowing me to know these wonderful people. . As my indoctrination into the amazing world of Gospel music continued, I was never more impacted than the first time I heard a family trio from Kentucky. The Rambos were taking the industry by storm. It was not just their appearance, riveting voices, amazing family blend, or the haunting piano styling of Kenny Parker (who was later to become a good friend), but their lyrics that captured my attention. I have described Dottie Rambo’s song writing as "seeing what was always there, but in a way that no one had ever expressed it before." A perfect example of her ability to paint a word-picture is the phenomenal line, "This house of clay is but a prison, Bars of bone hold my soul." I can not remember exactly where most of them were,
but I remember one specifically. The Farm Show Arena in Harrisburg, PA.
This was a huge date for that day in time. It was a promotion that
"The Couriers " did every year. The building seated over
10,000 people and was full for every concert. Reba,
Kenny Parker and I went out to sing before this large crowd. When
we did, another good friend of mine ,Rusty Goodman who had lived in
Evansville and had become friends with The Trailsmen earlier in my life,
asked JD Sumner to come and listen to me sing. That night I sang one of
Rusty’s great songs, ‘Until You’ve Known The Love of God" as
a solo. It happen to go over very well with the crowd, and not too long
after that, JD contacted me through Kenny Parker
to see if I would audition for the tenor spot with the Stamps Quartet.
Therefore, the results, of the faith that Dottie and Buck had in my
ability to fill in for The Rambos, and the faith that Rusty Goodman had
in my ability to sing his song, resulted in my getting a full time job
with " JD Sumner and The Stamps Quartet". I owe a huge debt of
gratitude to Dottie Rambo, Buck Rambo, and Reba Rambo for having the
faith in me to ask me to help them out. I also owe a huge debt of
gratitude to Rusty Goodman. I have expressed my gratitude to Rusty’s
family before verbally. I want to take this opportunity to say it here.
Thanks Rusty, because of your faith in me, I have had a wonderful career
in Gospel Music. And thank you Dottie, Reba, and Buck, because of your
faith in me, I have had a wonderful career in Gospel Music. I will
forever be grateful to Dottie, Reba and Buck Rambo, and Rusty Goodman. |
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A Personal Note . I started helping Kenny in 1963 at his music store, and he became a close friend, even though we ran with different groups in high school. I already played piano some, but Kenny taught me music theory, chords, progressions, lyric use and song composition. We wrote one song together that was recorded and released by Jackie Cannon. Kenny had a very open and compassionate heart, and he opened a new world for me. I went on to play piano in church for many years in Lookout Valley, directed choirs and vocal groups, wrote songs and played some organ. Had Kenny not been a friend of people and a friend to me, I would never have had that privilege and blessing. Few people touched my life like Kenny did. I hope that everyone will have a Kenny Parker somewhere in their life. . Reg Smith |
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. Cumberland Trio Cumberland Trio appearing on ABC-TV Hootenanny, 1964 L-R: Jim Shuptrine, Jerre Haskew, Andy Garverick and Tom Kilpatrick |
Promotional
Photo, New York City, May 1964 |